Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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Peter Paul Rubens The Fall of Phaeton oil painting


The Fall of Phaeton
c. 1604/1605 Oil on canvas Dimensions 98.4 x 131.2 cm
Painting ID::  67102
Peter Paul Rubens
The Fall of Phaeton
c. 1604/1605 Oil on canvas Dimensions 98.4 x 131.2 cm
   
   
     

Peter Paul Rubens Romulus and Remus oil painting


Romulus and Remus
Oil on canvas 210 X 212 cm
Painting ID::  67706
Peter Paul Rubens
Romulus and Remus
Oil on canvas 210 X 212 cm
   
   
     

Peter Paul Rubens Portra der Isabella Brant oil painting


Portra der Isabella Brant
c. 1610 Oil on panel Deutsch: 96 ?? 70 cm
Painting ID::  68470
Peter Paul Rubens
Portra der Isabella Brant
c. 1610 Oil on panel Deutsch: 96 ?? 70 cm
   
   
     

Peter Paul Rubens susanna och gubbarna oil painting


susanna och gubbarna
1614 olja på duk 66x51 se
Painting ID::  69135
Peter Paul Rubens
susanna och gubbarna
1614 olja på duk 66x51 se
   
   
     

Peter Paul Rubens backanal pa andros oil painting


backanal pa andros
1630-talet olja på duk 200x215 se
Painting ID::  69136
Peter Paul Rubens
backanal pa andros
1630-talet olja på duk 200x215 se
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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